Dynamist Blog

From Glamour to Horror

Cross-posted from my new blog, DeepGlamour.net

TheoneIn an astute comment on my post on horror versus humor in McCain's "The One" ad, Jens Fiederer writes, "I don't think horror diminishes glamor, horror is a glamor of its own. Watch some vampire films if you doubt that. If this ad is supposed to evoke horror..., it works WITH the glamor to paint a glamorous arch-villain and encourage those convinced to choose sides."

Jens is absolutely right to that glamour and horror often go together. The original meaning of glamour was, after all, a literal magic spell cast to deceive the viewer into seeing things that weren't there. "When devils, wizards or jugglers deceive the sight, they are said to cast glamour o'er the eyes of the spectator," explained a 1721 glossary of poetry. The word's definition has obviously evolved, but glamour is still an illusion.

He's right, too, to single out vampires as a glamorous archetype. While horror comes in different forms, some decidedly unglamorous (e.g., Alien, Saw), a lot of horror, including vampire tales, depends on glamour: What starts out as beautiful and alluring is revealed to be terrible and life-destroying--and by then it's too late. Witness not only the vampire but the femme fatale, especially in her 19th-century form. Glamour promises escape and transformation; horror replaces escape with entrapment.

Read the rest here.

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