Keeping Journalism Honest
LAT media critic Tim Rutten, not a man known for his love of blogs, calls on mainstream news organizations to provide much tougher scrutiny of the photos coming out of the Middle East--and credits bloggers (notably Charles Johnson) for uncovering widespread fakery.
There are, however, two problems here, and they're the reason this controversy shouldn't be allowed to sputter to its inglorious conclusion just yet: One of these has to do with the scope of what strongly appears to be wider fabrication in the photojournalism Reuters and other news agencies are obtaining from their freelancers in Lebanon. The other is the U.S. news media's grudging response to the revelation of Hajj's misconduct and its utter lack of interest in exploring whether his is a unique or representative case.
Thus far, only a handful of relatively brief stories on this affair have appeared in major American papers. The Times picked up one from the Washington Post, which focused mainly on the politics of Johnson's website. The New York Times, which ran one of Hajj's photos on its front page Saturday, reported that it has published eight of his pictures since 2003, but none were altered. It then went on to quote other papers about steps they take to detect fraudulent images. No paper has taken up the challenge of determining whether there's anything dodgy about the flow of freelance photos Reuters and other news agencies-- including the Associated Press, which also transmitted images made by Hajj--are sending out of tormented Lebanon.
Johnson is co-founder with mystery novelist and screenwriter Roger L. Simon of another online site, www.pajamas media.com. It aggregates mostly right wing blogs from around the world and has ambitions as a politically inflected alternative news source. It's worth taking the time to go there and to click on the link giddily labeled "Reutersgate." Make what you will of the analysis, much of which is feverish, sneering and tending toward the mechanistically conspiratorial. What's hard to imagine is how anybody can look at the photos and not conclude that they're riddled with journalistic deceit.
Many, including grisly images from the Qana tragedy, clearly are posed for maximum dramatic effect. There is an entire series of photos of children's stuffed toys poised atop mounds of rubble. All are miraculously pristinely clean and apparently untouched by the devastation they purportedly survived. (Reuters might want to check its freelancers' expenses for unexplained Toys R Us purchases.) In some cases, the bloggers seem to have uncovered the same photographer using more than one identity. There's an improbable photo by Hajj of a Koran burning atop the rubble of a building supposedly destroyed by an Israeli aircraft hours before. Nothing else in sight is alight. (With photos, as in life, when something seems too perfect to be true, it's almost always because it is.) In other photos, the same wrecked building is portrayed multiple times with the same older woman--one supposes she ought to be called a model---either lamenting its destruction or passing by in different costumes.
There's more, and it's worth your time to take a look. That's one of the undeniable strengths of the Internet and of the blogosphere, and the fact that it is being employed to help keep journalism honest ultimately is to everybody's benefit.
Is anyone listening? (Does anyone east of Silver Lake read the LAT?)