Spinning Egyptian Anti-Americanism
The incomparable Chuck Freund, who has seen more Arabic-language movies than most people have seen movies, is spitting mad at the b.s. his former employer is promulgating about Egyptian pop culture:
Today's Washington Post has a front-page story about anti-Americanism in Arab pop culture, leading with a description of the latest film from Egypt's best-known moviemaker, Youssef Chahine. The new film, entitled Alexandria . . . New York, is "a cinematic divorce paper," according to the Post. Writes reporter Daniel Williams, "Chahine said he had long admired the United States and its biggest city, but now he has made a film brimming with resentment."
Oh yeah? Spare me Chahine's supposedly lost admiration. The last time I saw Chahine take up the subject of the U.S. he once "admired" so much, he portrayed the country as an old whore pandering to Jews. That's the conclusion of his 1978 "masterpiece," Alexandria . . . Why? The film tells the story of an Egyptian film student in the 1940s who wants to come to the U.S. to study. At the movie's end, he's on a ship approaching New York. What we see is the Statue of Liberty itself in the guise of that fat, painted whore, welcoming not the Egyptian student, but instead a group of European Hasidic Jews complete with long sidecurls. The overpainted Ms. Liberty laughs lasciviously, exposing her mouthful of bad teeth, while a Jewish chant is playing on the soundtrack.
It gets more devastating from there. Read the whole thing, which includes recommendations for Egyptian artists worth covering. And if you haven't read it already, check out Chuck's feature-length look at how pop culture might liberate the Muslim world.